
In short: Multiply the pixel pitch in millimetres by 3.44 to get a distance in metres. That is where a viewer with normal eyesight can no longer resolve a single pixel gap. A 2.6mm pitch gives about 8.9 metres. A camera can show the gaps from further away, so the calculator adds a cautious camera figure of 5 metres per millimetre. Test with the camera and lens you will use.
An LED wall is made of small lamps set in a grid. From close up, you see each lamp. From further back, the lamps blend into one image. The calculator below tells you where that change happens for normal eyesight, so you can plan the camera position before the wall goes up.
The formula
Normal 20/20 vision resolves detail of about one arcminute, a sixtieth of a degree. The distance where one pixel gap subtends one arcminute is the pitch multiplied by about 3438, so a pitch of 1 mm gives about 3.44 metres. In practical terms:
- Read the pixel pitch from the wall's spec sheet, in millimetres.
- Multiply it by 3.44. The answer is in metres.
That is the distance where a viewer with normal eyesight stops seeing individual pixels.
The calculator also gives a camera planning figure, the pitch multiplied by 5. That is our own cautious rule, about one and a half times the eye figure, because a lens magnifies the wall and a sensor can pick out the pixel grid before an eye would. You can edit both rules, and it works backwards too, giving the coarsest pitch that suits a camera distance.
Worked figures
- 1.9mm pitch: 1.9 times 3.44 gives about 6.5 metres for the eye, and 9.5 metres on the camera planning rule.
- 2.6mm pitch: about 8.9 metres for the eye, and 13 metres for the camera.
- 3.9mm pitch: about 13.4 metres for the eye, and 19.5 metres for the camera.
A wall with a 2.6mm pitch shot at 4 metres will show its pixels to a viewer in the room, and the camera planning figure of 13 metres says the camera is well inside the distance where the pixels can show.
Using the figure on a shoot
Compare the planned camera distance with both figures. If the camera stands closer than the camera figure, the pixel gaps are visible through the lens and need a plan. Options include a softer focus, a wider lens, a greater distance, or a different wall. A moire guide covers the banding that appears in the picture as well.
At Granary an LED wall is hired in for the job, so the pitch depends on the wall supplied. Ask for the pitch on the spec sheet before you plan the shot.
Common mistakes
- Using the resolution instead of the pitch. Resolution is a count of pixels, and pitch is the physical spacing. The formula needs the spacing.
- Mixing millimetres and metres. The pitch goes in as millimetres and the distance comes out in metres.
- Treating the eye figure as the camera figure. The camera can show detail sooner, especially through a long lens.
- Forgetting the moire. Close shots with a sensor that is close to the pixel grid can show a pattern even where the gaps are not visible.
- Assuming a figure from another wall. Each wall has its own pitch, and the figure is only as good as the spec.
The green screen clean key guide covers the lighting side of a green screen set, and the tracking markers and plate shooting checklist covers the camera side of a plate. If you need a crew for the shoot, see film crew hire.
Sources
- Wikipedia, Visual acuity, read 5 November 2026
Related guides
Questions we get asked
What is pixel pitch?
Pixel pitch is the distance in millimetres from the centre of one LED to the centre of the next. A smaller pitch gives a sharper wall, and it costs more. Check the figure on the supplier's spec sheet, not on the wall.
How far can I stand from an LED wall?
Work out the distance with the formula on this page, then compare it with your planned camera distance. If the camera is nearer than that figure, the pixels can show in the frame, so the lens and the moire need testing.
Does the calculator work for camera framing?
It gives two figures. The eye limit is the pitch multiplied by 3.438 metres per millimetre. The camera figure is Granary's own cautious planning rule of 5 metres per millimetre, which is not a published standard. A camera with a longer lens magnifies the wall, so the gaps can show at greater distances, and the sensor can add moire. Test the set-up on camera before the day.
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