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Guide

Turning nerves into excitement

The body reacts in much the same way to both. What you do in the minutes before you start decides which one the room gets.

In short: Nerves and excitement produce much the same feeling in the body, so name it as excitement and give it a job. Prepare until the content is familiar, rehearse out loud in the real space, and go in thinking about the people in the room. A short sentence you can repeat to yourself helps. Expect the feeling to ease once you have spoken the first few lines.

Nerves before a talk, a pitch or a take are normal. The useful thing to know is that the body does not separate nerves from excitement. Your heart speeds up, your breathing gets shallow and your stomach tightens in both cases. You cannot switch the sensation off, so the practical job is to decide what it means and what to do with it.

Name the feeling

Nervousness is a feeling about what might go wrong. Excitement is a feeling about what is about to happen. When your pulse picks up, tell yourself you are excited to share something you know. It sounds too simple, but it moves your attention from the threat to the task.

Prepare until the content is familiar

Most nerves come from not knowing what comes next. Preparation removes that uncertainty. Know your structure, your timing and the order of your points, then practise out loud from start to finish. Preparation does more for a presenter than any trick on the day, and a presenter who knows the material can give the audience their attention instead of searching for the next line.

Practise with your slides and any movement you plan to make, in real time. Rehearsing silently in your head does not show you where the gaps are.

Rehearse in the real space

If you can, stand where you will speak. Check the lighting, the distance to the audience or the camera, and where the microphone sits. A room you have already stood in feels less strange on the day. If you cannot get into the room, rehearse with the same equipment in a space that is similar.

Go in thinking about the audience

Before you go on, think about who is in the room and why they came. The talk is for them. The question is not whether every sentence is perfect. It is whether the person at the back leaves knowing one useful thing they did not know before.

Choose one sentence and one picture

Pick one sentence to say to yourself on the way to the front. Keep it plain and true, such as "I know this material, and they want to hear it." Then picture the first minute going well: the first line landing, people settling, the close arriving on time. Picturing a good start gives your mind a task other than the worst case.

Mistakes to avoid

  • Trying to make the nerves go away completely. They will not, and fighting them adds to them.
  • Learning a full script word for word. Keep to keywords so you can speak to people rather than recite at them.
  • Changing the content on the morning of the talk. Late changes bring back the uncertainty you were trying to remove.
  • Reading one unimpressed face in the audience as a verdict on the whole talk.

If the nerves are mostly about being on camera, start with the three-minute breathing routine. Media training at the barn is a way to practise interviews on camera before the real thing.

Want to practise it on camera? A media training day at the barn puts you in front of real cameras, with playback and coaching. Media training day →

Related guides

The picture at the top of this page is an illustration, not a photograph of a client or a real job.

Questions we get asked

Can nerves really turn into excitement?

Not literally. Your heart rate and breathing change in much the same way for both. What changes is the story you tell yourself about what is about to happen, and the energy you bring follows from that.

What is the fastest way to stop feeling nervous before a presentation?

Use the breathing routine in the 3-4-5 breath guide, then go and stand where you will speak. Familiar surroundings and a clear first sentence help more than trying to feel calm.

Should I write a script to stop being nervous?

Keep your notes to keywords and bullets. A full script tempts you to read, and reading looks more nervous than speaking from a few prompts.

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