ADR & dialogue
ADR and dialogue recording, to picture
Re-record the lines the location ruined. An acoustically treated room near Chichester with a 55-inch playback screen, broadcast microphones and an engineer who works to picture. For film, TV, animation, games and audio drama.
Get a quote See the ratesIn short: Granary Digital records ADR and dialogue near Chichester, West Sussex: re-records to picture on a 55-inch screen, animation and game voice sessions, and audio drama, run by an engineer in an acoustically treated room. Quoted per production.
A line re-performed until it disappears.
The location ruined the line. The studio saves it.
Every production has them: the perfect take under a flight path, the script line legal changed in the edit, the mumble that survived every pass until the grade. Fixing dialogue means a treated room, picture playback, a decent microphone matched to the location sound, and someone running the session who works to timecode rather than vibes.
That room is ten minutes from Chichester rather than a day rate and a train to Soho. Sessions are engineer-run, takes are logged against your script, and files leave organised for your dubbing mixer, or our own editor conforms them if you would rather hand the whole problem over.
What records to picture here
ADR & re-records
Replacement lines for film and TV, performed to the scene on the 55-inch panel until they sit invisibly.
Animation voice
Character sessions and pickups, recorded wild or to animatic, logged per line for the pipeline.
Game dialogue
Batch VO, barks and narration against string IDs, with consistent takes across long sessions.
Audio drama & fiction podcasts
Cast sessions in a treated room with an engineer, for the growing scripted-audio scene.
Documentary narration
Narrators recorded to the locked cut, with a director line open for notes from wherever the edit lives.
Dubbing & localisation
Foreign-language versions recorded to picture with your translation partner's scripts and specs.
Built for the fix
- Acoustically treated room, broadcast microphones, engineer on every session
- 55-inch playback panel for picture; scripts and cues on a second screen
- Fibre link for remote directors, editors and language supervisors
- Files delivered labelled per take, or conformed by our in-house editor
- Ten minutes from Chichester, fifteen parking spaces, 90 minutes from London
Quoted per production. Send the line count and the deadline via contact, or add dialogue days to a booking with our sound & post team.
Ready when you are
Availability and a firm quote, usually same day. No pressure, no hard sell.
ADR & dialogue · quoted per production
Questions we get asked
What is ADR?
Automated dialogue replacement: re-recording lines in a studio when the location sound is unusable, the script changed after the shoot, or a broadcast version needs cleaner language. The actor performs to picture until the new line sits naturally in the scene.
How do sessions run?
Your picture plays back on the 55-inch screen, the engineer records takes against it, and you leave with organised, labelled files for your dubbing mixer, or our editor can conform them for you. Directors who cannot attend join over the fibre link.
Can you record animation and game dialogue?
Yes. Character sessions, batch lines and barks record the same way, with takes logged against your script or string IDs so the files drop into your pipeline.
What does it cost?
Quoted per production, like our rain rig, because session length and edit needs vary so much. Tell us the line count, the deliverables and the deadline and you will have a number, usually the same day.
Is it really an ADR stage?
It is an acoustically treated recording room with picture playback and an engineer, ten minutes from Chichester. Productions that would otherwise drive dialogue to London use it for exactly that reason, and we are straightforward about what it is.



